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Deborah Alma's debut poetry collection Dirty Laundry is raucous, daring and honest, drawing contemporary women's lives and those of our foremothers into the spotlight. It voices bold, feminist songs of praise: of persistence, survival, adventures of sexual rediscovery, each reclaiming the space to speak its mind and be heard and seen. A perfect remedy for the heartsick and weary, Alma's intimate and particular poems are resolute enchantments, a form of robust magic. The collection brims with poems which are unafraid of airing secrets, desires and untold stories. From growing up mixed-race and learning to survive as a woman in the world, to tales of the countryside and themes of escape and finding joy, this book of poems is as vivid as it is frank and fearless. There'll be no need for any tears, it'll all come out in the wash…
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There is (still) love here, the compelling new collection of poetry by Dean Atta, is a personal and powerful exploration of relationships, love and loss, encompassing LGBTQ+ and Black history, Greek Cypriot heritage, pride and identity, dislocation and belonging. Atta's tender, precisely-crafted and generous poems seek consolation and affirmation. These are poems as an antidote for challenging times, whether facing prejudice or the challenges of the pandemic, experiencing grief or recovering from heartbreak. Here, we encounter blue feelings and homesickness, things lost in translation and the pressures of the many roles we play in life. We also find the recipes of home, gifts and giving, the togetherness of community and connection to help us to heal. There is still love here - and journeys towards forgiveness, acceptance, queer joy and the power to unapologetically be yourself and fully embrace who you are.
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In 2019, Nine Arches Press launched their nationwide Primers scheme for a fifth time, in search of exciting new voices in poetry, with Jacqueline Saphra and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Krystelle Bamford, Claire Cox and Hannah Jane Walker. Primers Volume Five brings together a showcase from each of the three poets. At the core of these poems are the milestones and critical moments of our lives and, vitally, the ties that bind us to those we love. From the tides of grief to surfing the wave of birth, these often courageous and candid poems are distinctive in their engagement with fear, loss and self-discovery, and how they emerge afresh, bold and illuminating. An insightful collection of new work from some of poetry's most talented emerging voices. "Each of these poets moved us from a very first read with courage, openness and authenticity and each walks an exhilarating edge, daring to take risks with both language and content." – Jacqueline Saphra
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amuk / Khairani Barokka. - [miejsce nieznane] : Nine Arches Press : Legimi, 2024.
Khairani Barokka's uncompromising third collection of poetry amuk sheds light on the devastating and ongoing effects of a single word's mistranslation, and emphasises what exists in opposition to such hostile histories and presents: hope, resistance, and joy. Groundbreaking in its use of form and poetics, amuk deconstructs the brutal workings of oppressive systems to examine how, "through macheted etymology", violence and suffering is replicated through (mis)translation. These radical poems of fury and prayer look towards the vital, living resistance of persisting languages, and resilient peoples.
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Rope / Khairani Barokka. - [miejsce nieznane] : Nine Arches Press : Legimi, 2017.
Khairani Barokka's first full poetry collection, Rope, is a spellbinding and impressive debut, kaleidoscopic in detail and richly compelling. With a meticulous artist's instinct, these finely-tuned poems ask urgent questions about our impact upon the environment, and examine carefully the fragile ties that bind our lives and our fate to our planet, our ecosystems and to our fellow humans. Sensual and ecologically attentive, Rope draws on issues of climate change, sexuality, violence, nature, desire and the body. Lush with detail, alert to its own distinct sounds, this is poetry in urgent and vivacious action - intent on finding vivid joy and hope amidst the destruction and dangers of the Anthropocene era.
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Khairani Barokka's second poetry collection is an intricate exploration of colonialism and environmental injustice: her acute, interlaced language draws clear connections between colonial exploitation of fellow humans, landscapes, animals, and ecosystems. Amidst the horrifying damage that has resulted for peoples as interlinked with places, there is firm resistance. Resonant and deeply attentive, the lyricism of these poems is juxtaposed with the traumatic circumstances from which they emerge. Through these defiant, potent verses, the body—particularly the disabled body—is centred as an ecosystem in its own right. Barokka's poems are every bit as alarming, urgent and luminous as is necessary in the age of climate catastrophe as outgrowth of colonial violence.
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How to be a Poet is the brainchild of poet Jo Bell and editor Jane Commane. As a natural follow-on to the 52 Project of 2014, this book aims to help poets taking the next step in developing, working and participating in the wider creative community as a writer. How to be a Poet combines practical advice and topical mini-essays that examine both the technical and creative dimensions of being a poet. It's a no-nonsense manual where we've replaced the spanners with lots of ink, elbow grease and edits. At each step, we ask plenty of questions: what makes a poem tick over perfectly, how do we get it started when it stalls, and which warning lights should you never ignore?
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Kith / Jo Bell. - [miejsce nieznane] : Nine Arches Press : Legimi, 2015.
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Love, sex, boats and friendship. And yet Jo Bell's second poetry collection, Kith, is about so much more, as these bold and generous poems interweave bigger questions of place, identity and community and what these mean to us, here and now. Delighting in the belting, beautiful turn-of-phrase, Jo Bell's poems are lyrical and joyous, but always precise and clear as birdsong. They take us the long way home, plot histories along the route of backwaters, and are occasionally diverted for a roll in the hay; hearts are broken and boats are dry-docked. There will be tears, but there will also be love, safe harbours, and the company of wise and faithful kith. Jo Bell - archaeologist, boat dweller and erstwhile director of National Poetry Day - is a poetry pundit and deviser of online poetry community 52. Winner in 2014 of the Charles Causley prize and Manchester Cathedral prize, and placed in the Bridport, Wigtown, and Ballymaloe international competitions, she has had a fortunate year. She is currently building new projects with the writer Tania Hershman and poet Michael Symmons Roberts. Kith is her second collection of poems.
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Lady / Laurie Bolger. - [miejsce nieznane] : Nine Arches Press : Legimi, 2025.
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Lady, the first full collection of poems by Laurie Bolger, arrives 'all giddy with endorphins' and explores the many roles girls and women are asked to play and the dressing-up outfits they try on for size – whether housewife or hen, sister or mum, landlady, exercise instructor or best friend forever. Bolger's poems turn her bold, funny and wise words on boys, body image and the pressure to make yourself fit into a pigeon-hole, when all you really want to do is soar away on your own wings. Here, these gritty and effervescent poems look to the things that sustain us when navigating an imperfect world obsessed with perfection. Whether dancing in the kitchen, crying in the bath or eating crisps, these poems are equal parts delicious, joyous, and bittersweet. A celebration of the resilience of working-class women and the solidarity and love found in friendship and family, Bolger's poems dare to dream and be wild – and invite us all to join her.
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The best of new voices in poetry, published by Nine Arches Press in conjunction with The Poetry School. Primers Vol.2 collects together three selected poets from a nationwide scheme to find exciting new voices in poetry - there's much here to delight and dazzle. Edited by Jacob Sam-La Rose and Jane Commane, this year's Primers poets: Ben Bransfield is from Shropshire. His poems have appeared in The North, Obsessed with Pipework, ASH, and have been placed in Peterloo and Wenlock competitions. He was named a Poetry Society Teacher Trailblazer in 2015, and he lives and teaches in London. Cynthia Miller is a brand strategist and Co-Director of Verve, Birmingham's inaugural Poetry and Spoken Word Festival 2017. She was shortlisted for the Bridport Prize in 2013 and has a poem forthcoming in The Emma Press Anthology of Love. Marvin Thompson was born in London to Jamaican parents, and now lives in mountainous South Wales. As well as having an MA in Creative Writing, his poems have appeared in numerous journals. These include Stand Magazine and The Poetry Review.
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Be Feared / Jane Burn. - [miejsce nieznane] : Nine Arches Press : Legimi, 2021.
Form of Work
Jane Burn's new poetry collection Be Feared is a captivating reclamation of self, sisterhood, and love, encountering everything from the Snow Queen to monsters, plagues and infernos. Acknowledging fear, this book embraces discovery, a process of translation and transformation, of finding a voice radiant with both curses and psalms. Rebellious, bloody, and encroached upon by violence, Burn's poetry examines survival, abuse and healing. Intensely imaginative, these incantatory poems rework fairy-tale and folklore and hold up enchanted mirrors to the everyday truths of being a working-class autistic woman, daring to become, claiming her own magnificent, unstoppable fluency and spell-making power.
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The Apothecary of Flight by Jane Burn is a heady flight into the art of poetry itself: its vital importance as a tool for expression; for understanding and translating the self; for articulating the sheer force and joy of poetry and the way, for a person with autism, it can hold, identify and celebrate both the smallest and weightiest of life's experiences and concepts. These unfettered and exquisite poems pulse with the details of both the wild and tame, the sacred and the humane – observing nature and animals with an artist's eye, capturing the ways in which place and time can hold the experiences of the body, memory and identity. This ongoing dialogue with poetry itself sets a visionary path towards discovery – the page as a place to root oneself, a place of deep creative freedom, self-permission, belonging and defiance. Ultimately, the form, presence and physicality of Burn's extraordinary poems move us with compassion towards the happiest solitude of words, and of love.
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Boy in Various Poses, a debut collection of poems from Lewis Buxton, explores all the different types of boy you can be – tender, awful, thoughtful, vulnerable. Here, a maelstrom of mental health, male bodies, and sexuality is laid bare with wit and curiosity, and the complexity and multiplicity of gender itself is revealed. The boy in question is often shapeshifting, slippery, unreliable, close yet never quite in focus, moving too fast to pause and take a breath - yet Buxton studies these boys, their bodies and behaviours, with a disarming intimacy and precision. These poems are provocative, nuanced and often laugh-out-loud funny, shining with a naked, shameless brilliance. "Poems that capture the rugby scrum of insight and uncertainty, the questions and discoveries I remember and still live. It pulled me in and showed me its birth marks. Loved it." – Steven Camden, Polarbear "Corporeal, surreal, and shocking, these poems are also beautifully tender - and Buxton's precise, imagistic use of language often has the poems singing from the page. A bold and moving debut." – Hannah Lowe "In this assured debut, Lewis Buxton asks 'how does a boy become a man?'. The answers are myriad and transgressive, lyrical and smart. The answers are more questions. The answers are flowers and oranges, hunger, knuckles, slow dancing, glitter and fear. In these taut poems, conventions are dropped stylishly, elegantly 'like a coat on a dance floor.' We are left watching a departing figure, a boy running 'out of his lungs', 'the sky's hair...flecked with grey.' This book is unforgettable, utterly addictive." – Helen Mort
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In 2018, the Poetry School and Nine Arches Press launched their nationwide Primers scheme for a fourth time, in search of exciting new voices in poetry, with Kim Moore and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Lewis Buxton, Amelia Loulli and Victoria Richards. Primers: Volume Four now collects together a showcase from each of the three new poets It is an irresistible invitation to step out of ourselves and our bodies and drop your expectations on the dancefloor, to take the plunge on the rollercoaster-ride of grief, motherhood and new life, and to meet desire in all its outrageous, dazzling and joyous forms. Secrets, disclosures, changed names and brilliant disguises make for a vivid, adventurous and often deeply moving selection of new work from some of poetry's most talented emerging voices. Praise for Primers: Volume Four "All three poets are rooted in the territory of the body and the expectations placed on it by society though their concerns range widely – from an examination of toxic masculinity to female desire and motherhood. Their approach to language and form is varied, but what is consistent is their ability as poets to invite the reader to see the world in a different way." – Kim Moore
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"I moved to a country called writing" declares Tim Tim Cheng in this striking debut collection. The Tattoo Collector explores family history, displacement, politics, protest, and, as it moves between East and West, the uses of language to illustrate and interrogate what lies in between. As these poems range from Hong Kong, Scotland, and London, they unravel the relationship between the body, ecology and class with precise and haunting tenderness. Here, in Cheng's illuminating and needle-sharp poems, the tattoo is a narrative, the body a radical means of expression. In states of flux, between resisting and belonging, we enter museums, hospitals, graveyards, and gigs. These intimate and polyphonic poems invite us to be troubled and enthralled by exhibits and the stories they have to tell, to look inside the glass box and study what is on display. Close-up, the poems bring into the daylight details that can be seen skin-deep on the surface, as well as those which point to another meaning, inked indelibly, beneath.
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The Terrors / Tom Chivers. - [miejsce nieznane] : Nine Arches Press : Legimi, 2013.
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The Terrors is a sequence of imagined emails; poetic missives from the start of the 21st century to inmates at London's notorious Newgate Prison. Mimicking the tone of its primary source, The Newgate Calendar, The Terrors tacks from horror to humour, from moral disgust to the casual chitchat of the digital generation, all the time delineating London's violent urban undercurrent in bold, energetic and sometimes shocking language.
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Arc / David Clarke. - [miejsce nieznane] : Nine Arches Press : Legimi, 2015.
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David Clarke's first full collection follows on from an acclaimed and award-winning pamphlet Gaud (winner of the 2013 Michael Marks Pamphlet Prize). Follow the trail of these fleet-footed poems, and you'll be swept along from sonnets for Scott Walker to Orpheus as white van man, via 'epic fails' and sword-swallowing for beginners. It's a memorable trip you'll want to start afresh as soon as you finish reading. By turns subtle, bittersweet and wickedly sharp, this is a debut collection of poems to be savoured, which you will find yourself returning to revisit again and again.
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David Clarke, winner of the Michael Marks Poetry Award 2013, returns with his second collection, The Europeans. Simultaneously close to home and looking outward beyond these shores, these wry and perceptive poems revel with form and encompass journeys, ideas of nationhood and national identity, and the optimism of a time when Europe and the UK enjoyed a quite different entente cordiale. They are a warning against nostalgia, a lucid and prescient exploration of how we see ourselves and how we are seen. "A document for our times. A protest against bigotry and smuggery. A thesis for open borders and equality. In its cumulative effect, The Europeans is a comparative cultural analysis, a social satire and political commentary, a portrait of us and them, here and there, home and away." Paul Stephenson "Clarke's authoritative new collection offers profound pleasures, and deepening regrets, in a poetic continent where every reader must confront 'your own untruth'. The Europeans is certainly a book for the present. It is also a book for our uncertain future." - Alison Brackenbury "It includes the best gathering of found Brexit similes I expect to see in my lifetime, and a poem on stately homes that needs to be broadcast before every re-run of Downton Abbey. With targeted humour, an eye for the mobile and the sedentary, repurposing the mundane, David Clarke takes us to estates of all kinds, to both Leeds Central and Milano Centrale."– Alistair Noon
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The Field in Winter, the third collection of poetry by David Clarke, winner of the Michael Marks Award, elegantly reflects on memory, time, and the very particular landscape of loss, in a calendar of poems, a 'charm of words' that track and loop through seasons of nature and living. The relationship between the environment, the human body and the self takes centre stage here in poetry that is concerned with being in the world - senses alive to the detail of things, the trunk of a linden tree , the shock of cold water, the frenzy of bees and blossom. But these remarkable poems also write towards the intangible in the late summer's dusk – an empty cage, a bird flown; history's slow grind and echo. Clarke's elegies reach out to touch what passes us fleetingly in a moment of time – 'before the tongue can catch them' – held for that second, precious, in his poised and finely weighted poetry.
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This remarkable debut collection from Geraldine Clarksoncontains the uncontainable; wondrous, spellbound and daring poems, happy to roam from South American monasteries to the shorelines of memory. These bold, often witty and always hawk-eyed poems survey matters of faith, tragedy and womanhood. Elaborate, skilful and formally audacious, Clarkson is a poet of extraordinary and kaleidoscopic vision; her writing always richly riotous with detail, her poems possessing the singular ability to move from the maelstrom of feeling to the stilled moment with an assured, quick elegance. "The speaker of these poems is endlessly morphable and endlessly verbal; she can say anything and beguile us into listening: put our screens down and really listen and come to life again in the garden of her diction, her memory, her weird unassailable vision." – Kathleen Ossip "... one of the finest contemporary practitioners of the prose poem. A mind-rattling, heart-shaking debut." – A.B. Jackson
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